Welcome to the webpages of the North American Levinas Society. While the Society is turning 13 years old this summer, this iteration of the Society website is brand new. Our hopes are that it will become one of the most dynamic online resource for students, scholars, and activists inspired by the ethical insight of Emmanuel Levinas. Over the course of Summer 2018, we will build these resources so that you will find a variety of links to information about the Society, our annual conference, and online resources. The website is continually evolving, so check back frequently.
13th Annual International Conference
Levinas, Displacement & Repair
Western Carolina University | Cullowhee, NC, USA
July 31-August 3, 2018
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Vol. 13, Issue 1 | Spring 2016
"On Becoming Human in Lingít Aaní: Encountering Levinas Through Indigenous Inspirations"
Sol Neely, Univ. of Alaska
Vol. 84 of Contributions to Phenomenology | June 2016
"Political Phenomenology: John Wild and Emmanuel Levinas on the Political"
Richard Sugarman, Univ. of Vermont
On "Ethics as First Philosophy" (1984). More existentialist ethics, with a Jewish twist this time! Seth rejoins Mark and Wes to discuss this difficult essay, with a bit of "Time and the Other" (1948) and "There Is: Existence Without Existents" (1946) thrown in, too.
THE PARTIALLY EXAMINED LIFE
Episode 145 |22 Aug 2016
"Emmanuel Levinas: Why Be Ethical? (Part One)"
In Print Now
The Midrashic Impulse and the Contemporary Literary Response to Trauma
This study explores what it means for the world of literature to renounce the language of representation and retain the language of witness. Drawing on the work of Emmanuel Levinas, Maurice Blanchot, Geoffrey Hartman, and others the book focuses on the increasing tendency of contemporary writers to rely on non-representational approaches to storytelling in the context of trauma. This tendency is named the “midrashic impulse”...
In Print Now
Möbian Nights: Reading Literature and Darkness
Challenging customary “aesthetic” assumptions that we write in order not to die, Sandor Goodhart suggests (with Kafka) we write to die. Drawing upon analyses developed by Girard, Foucault, Blanchot, and Levinas (along with examples from Homer to Beckett), Möbian Nights proposes that all literature works “autobiographically”, which is to say, in the wake of disaster; with the credo “I died; therefore, I am”...
Updated 5 June 2018
by Sol Neely